This is a sad book for those of us who felt like we knew Rachel and who miss her voice. As was always the case when I was reading her contemporarily, I don't agree with all of her conclusions, but I never question the heart behind them or her love for the Lord. At both a spiritual and an emotional level, this is a challenging book, and one I am grateful her loved ones gave us.

MUSIC IS HISTORY by Questlove
HIP-HOP IS HISTORY by Questlove
These books have intrigued me ever since I first saw them on the shelves at Barnes & Noble, so when the public library had both available at once, I knew it was time to pick them up. Written by Questlove, founding member of the Roots and musical director for The Tonight Show with Jimmy Fallon, the books purport to be a walk through recent American history as told through the lens of popular music and his own experiences within its industry. Neither, in my mind, quite lives up to that mission statement, but one is superior to the other.
Music Is History is the more rambling of the two, a book I always enjoyed but never quite knew how to explain. With each chapter representing a year, beginning in the early 1970s, Questlove offers readers a sense of what that year was about for him, specifically as it relates to R&B and hip-hop music. Part memoir, part sociology, part music history, it relies heavily on the contagiousness of its author's excitement and expertise to carry you along. Mostly that's enough (I did finish it, after all), but there were admittedly times I'd complete a half hour reading session and think, "What did I just read?"
Hip-Hop Is History, by contrast, takes a more disciplined approach, operating as a history of the genre as told by someone who started as a fan, became a star, and has now grown into an elder statesman. While it maintains Questlove's distinctive and discursive voice, I appreciated that this one was easier to grasp. Taking readers from the origins of the genre in the Bronx up to today (and then, in a weird predictive epilogue, into 2073), it's not fact-heavy enough to be a reference work, but teaches you plenty along the way.
These were both light reads, but I'm glad I was able to finish them in 2 weeks instead of needing a whole month. By the time I finished, I was ready for something a little more concrete. Fun books for music lovers, but definitely the kind I'd check out from the library rather than buy.

BIG FAN by Michael Schur and Joe Posnanski
Every two weeks or so, Joe Posnanski, my favorite sportswriter, and Michael Schur, writer and showrunner for iconic TV shows like Parks and Recreation and The Good Place, get together to record the Poscast, their podcast about sports and nonsense. It is not, and I cannot emphasize this enough, a professional production. There is little to no planning done beforehand. There are ads clumsily jammed in by their editor, but no slick reads by the hosts. For many years, the only equipment they used was the microphones on their laptops. Most importantly, they don't engage in their conversations as professional sports commentators, but as fans—there is no attempt at objectivity, a total absence of the "no cheering in the press box" mentality.
Big Fan exists as an extension of that podcast and their friendship. Conceived by Schur and instantly agreed to by Posnanski, the book is an exploration of what it means to be a fan, undertaken through a series of varied trips around the world to fan-centric events. Roughly half of those are sporting events of some kind, but there are also trips to a magic show, the warehouse of a baseball card collector, and a darts tournament. Their overaching goal is to explain why being a fan of something is so fulfilling and how it brings people together.
That higher purpose aside, this book is mostly about the laughs. One chapter sees Schur forcing Posnanski, a tennis fanatic and pickleball hater, to participate in a weekend-long pickleball tournament. Another sees Posnanski returning the favor by making Schur attend Wrestlemania accompanied by a Grateful Dead concert. The last chapter describes the two of them winding their way through the Los Angeles Dodgers' PR staff in pursuit of a private meeting with Mookie Betts, all so they could determine for themselves whether or not he is a good hugger.
If sports make you smile, so will this book. I won't pretend it's Posnanski's most important work, but I suspect it may have been the most fun he ever had writing a book. You will certainly have fun reading it. And isn't that what being a fan is all about?
MARCH: BOOKS ONE, TWO, AND THREE by John Lewis, Andrew Aydin, and Nate Powell
RUN: BOOK ONE by John Lewis, Andrew Aydin, L. Fury, and Nate Powell
When activist and congressman John Lewis suggested to one of his staffers that he should write an autobiographical graphic novel about his role in the Civil Rights Movement, it wasn't an immediate yes. Nevertheless Lewis, inspired by the success many years earlier of 1958's Martin Luther King and the Montgomery Story comic book, persisted. The result was a trilogy of award-winning graphic novels and a posthumously published sequel that introduced Lewis's story to a new generation.
March is essentially an autobiography, taking readers from Lewis' boyhood up through the passage of the Voting Rights Act of 1965 and focusing intently on the Civil Rights Movement and Lewis's role in its major events, including the Nashville Student Movement, the Freedom Rides, and the march from Selma to Montgomery. Structurally, the story is told by Lewis on the occasion of Barack Obama's 2009 presidentiaul inauguration, offering readers a modern perspective even as they are immersed in history.
Illustrated in black-and-white by Nate Powell, the art achieves the perfect balance of realism and cartooning. His style somehow makes the story feel both true to life and mythic, especially in the most tragic moments of the movement, such as the bombing of the 16th Street Baptist Church. Shadow-heavy and high-contrast, Powell's work is excellent for a historical graphic novel like this.
Run, perhaps appropriately, feels unfinished by comparison as it continues Lewis's and the movement's stories. It's clear that Lewis here wanted to highlight more key figures from the time period (the index of names at the back runs 30+ pages), and this volume is clearly heavily researched. It does bring on a second artist, L. Fury, and I thought that change was for the worse when compared to Powell's singular vision for March. Nevertheless, anyone who reads March should spend the extra hour it will take to read this follow-up.
March is a celebration of one of the 20th century's greatest heroes and a memorial to what I consider American Christianity's finest hour, when a Black Baptist preacher stirred the soul of his nation through nonviolent self-sacrifice. Last month the Supreme Court gutted that movement's crowning achievement, the Voting Rights Acts that John Lewis bled on the Edmund Pettis Bridge to win. Maybe if enough people read these books we'll eventually be inspired to get back to the work of forming a more perfect union.
THE COMIC BOOK HISTORY OF BASEBALL by Alexander C. Irvine, Tomm Coker, and C.P. Smith
When I saw this book at Changing Hands Bookstore in Phoenix a couple years ago on my annual pilgrimage to MLB spring training, it was an instant impulse buy. The Comic Book History of Baseball? This was made for me!
This is exactly what it sounds like, a linear walk through the story of our national pastime, from its earliest days as an offshoot of British games like cricket and rounders to the long-awaited triumph of the Chicago Cubs in the 2016 World Series. Interspersed throughout are one-page biographies of notable figures, overviews of key events, and the occasional off-the-wall story. At a mere 176 pages, it understandably takes a 30,000 foot view of the game's history—don't expect to see every single World Series champion or league MVP highlighted—but each page is dense with information.
The art is an appropriate style for a book of this nature, using an "illustrated photo" technique that is neither hyperrealistic (which gets distracting when depicting famous faces) nor cartoony. While not especially dynamic from a stylistic standpoint, it fits the book's format well, giving things a documentary feel.
If I have one complaint, it is that the book's storytelling feels choppy and disjointed, owing mostly to those one-page discursions mentioned earlier. It's hard enough to try and tell a sport's story as though it is unitary, since there are at least 30 little stories happening at once on any given day. Interrupting that linear story every few pages with an unrelated splash page makes this feel at times less like a graphic novel than a bound collection of loosely related pages.
Nevertheless, I enjoyed reliving some of the biggest moments in baseball history in comic book format. This is a reference book I'll certainly hang onto for years to come, and a worthy read for any fan of our national pastime.