October Reading Log

Lots of reading this past month, and I enjoyed pretty much all of it! Take a look!

THE LONG LONELINESS by Dorothy Day

Some believe that activism is incompatible with religious faith, that it is the refuge of secular dreamers who have no hope in a life beyond this one. Some believe that activists are shiftless layabouts, happy to protest and post on social media, but unwilling to sacrifice for their cause or put in an honest day's work.

Such critics have obviously never heard of Dorothy Day. A social activist and devout Catholic, she spent her life feeding the poor, advocating for better working conditions, and protesting against war and injustice through her newspaper, The Catholic Worker. She was unapologetically radical, yet just as committed to her Catholic faith as she was to her activism. She believed—and showed through her life's work—that caring for the needy and making the world a more just place was a divine command, not a mere option.

The Long Loneliness is her memoir, the story of how she came to faith as a bohemian social worker and how she and her colleagues advocated for the poor even as they served them. The title refers to the yearning she said all people feel for meaning and community, one which cannot be met by worldly pursuits—what evangelicals sometimes refer to as a "God-shaped hole in your heart." She describes again and again how her faith informed her activism, and how without it she would have lost hope long ago.

Day's writing is vivid and personal, and you cannot help but admire her commitment as you read her story. She is one of the finest examples of practicing what you preach that I could ever imagine, willing to go to lengths that few others would for the sake of the gospel as she understood it. Dorothy Day has been an official candidate for sainthood in the Catholic Church since 1997, and after reading her memoir, it's easy to understand why. There are many in our world today who give activism a bad name, including many Christians—but she is the example of all that an activist can be.

THE LAST OF HIS KIND by Andy McCullough

On September 18, Clayton Kershaw, the legendary Los Angeles Dodgers pitcher, announced his retirement. That same day, I put a hold at my local library for this biography. My hope was that I'd manage to finish it before the Dodgers were eliminated from the postseason and Kershaw threw his last pitch, which I managed to pull off thanks to the Dodgers' run back to the World Series.

Clayton Kershaw, one of the greatest starting pitchers I've ever seen, holds a special place in the hearts of Major League Baseball fans. Part of it is his singular run with the Dodgers, one of of baseball's premier franchises—due to both his talent and his association with that team, Kershaw has long been painted as the spiritual successor to Sandy Koufax. Part of it is the Shakespearean nature of his career—few pitchers have ever been so great in the regular season, yet Kershaw repeatedly and inexplicably flamed out in the postseason; his is a tale of both triumph and tragedy. And part of it, as this biography's title indicates, is that Kershaw seems to stand in for a bygone style of pitching, where the starter was expected to put the team on his back and carry them to victory.

All of this is covered with sensitivity, detail, and insight by The Athletic's Andy McCullough, who served for years as that publication's beat writer for the Dodgers. McCullough takes readers through Kershaw's early days in the Highland Park neighborhood of Dallas, his rise to greatness with the Dodgers, and all the successes and failures that followed. Along the way, McCullough gives us a look into what makes Kershaw, who is infamously exacting about his routine, tick.

In one sense, the books succeeds in letting readers know what Kershaw's all about: his family for 4 days, and then maniacally focusing on his craft every 5th day. But in another sense, the book preserves the mystique that makes Kershaw feel like an athlete from another time, before social media and the 24/7 news cycle made pro athletes feel just like anybody else. Kershaw, like Koufax before him, feels like baseball royalty, even as he insists otherwise.

Having admired Kershaw for his entire career, I enjoyed reliving his career through this biography. It's a worthy read for anybody else who has done the same. 

THE SHINING by Stephen King

Stephen King's most famous book (thanks in no small part to Stanley Kubrick's film adaptation) is at one level a pretty simple haunted house story—family moves into an isolated Colorado hotel for the winter only to slowly discover that they are not as alone as they thought. But, like the Overlook Hotel, there is more to The Shining than meets the eye, and it's the complexity beneath the surface that makes the book, well, shine.

The Shining centers on the Torrance family—father Jack, mother Wendy, and 8-year-old son Danny—who move into the Overlook after Jack, an aspiring writer, takes a job as the hotel's caretaker for the winter season, when the hotel is closed. The reader soon learns that Jack is a recovering alcoholic who recently lost his job as a professor after angrily assaulting a student. Wendy sees encouraging signs from her husband, but worries the isolation of the hotel will drive her husband back to the bottle. Danny, similarly to King's first protagonist, the titular Carrie White, has a vague but unmistakable supernatural power, "the shining," psychic abilities which give him insight into the future and enable him to telepathically communicate with others who possess his power.

The book traces exactly what Wendy fears, Jack's gradual mental breakdown, which is aided by the supernatural horrors of the Overlook. In a way that is never fully explained, the hotel is alive with the spirits of previous guests and staff, all of whom want to bring the Torrances—and especially Danny—into their fold. By the end of the book, a murderous Jack, fully possessed by the spirits of the hotel, is trying to murder his wife and child, who must reckon with both him and the horrors of the Overlook.

While the thrills of the last 100 pages are what the book is best known for—epitomized by Kubrick's image of Jack's maniacal face bursting through a door as his wife cowers on the other side—it is the slow build that makes the book such a compelling horror story. Jack's descent into madness, Wendy's anxiety, and Danny's innocent confusion make for a potent emotional soup, one that's perfect for a horror story. The knowledge that Jack's breakdown is partly biographical—King was battling drug and alcohol addiction while writing The Shining—only adds to the emotional depth.

The Shining is a classic for a reason, arguably King's scariest book (though Pet Sematary and Misery would like a word.) A great way to ring in spooky season...now I need to go rewatch the movie!

TONIGHT IN JUNGLELAND by Peter Ames Carlin

Born to Run is not only one of the greatest rock 'n' roll albums of all time, it's my personal favorite. So when music journalist Peter Ames Carlin, who had previously written a biography of Bruce Springsteen, built upon that book with one about the writing of the Boss's most beloved album, I had to check it out.

Tonight in Jungleland is a blow-by-blow account of the writing and recording of that album, stressing how it was a make-or-break effort for Springsteen after the two commercially disappointing records that preceded it and how Bruce in turn put everything he had into its production. Loosely, each chapter is devoted to one of the songs on the album, though Carlin plays fast and loose with the timeline in order to provide background information. It's all written by someone with an obvious affection for the album and a talent for describing and explaining its impact.

This is far from essential reading for any but the most devoted Springsteen fans, but it made for a good way to unwind at the end of each day. Paired with Deliver Me From Nowhere, the film that came out last week about the making of the Nebraska album, I had the Boss on the brain and on the radio at the end of October, and likely will for days to come.

ADVENTURE IN GRAND CANYON NATIONAL PARK by Aaron Johnson

The latest entry into the National Park Mystery Series sees Jake, Amber, and Wes make their way to the Grand Canyon, where they encounter some new dangers and see their friendship tested as they continue solving the mysteries left behind by Jake's grandfather.

This book sees two new developments in the series. The first is a tension between the heroes, as Jake finds himself growing increasingly jealous of Amber, who always seems to have the right answer before he does. It's classic adolescent dynamics, and was written well by author Aaron Johnson. The second is the addition of both a new ally and some new enemies, both of which escalate the danger that Jake, Amber, and Wes face.

While I admit that this book did have me wondering whether the series' formula can stretch for a planned 10 books—I'm starting to find it a little repetitive—my kids didn't seem to mind any perceived flaws. National parks, danger, humor, and mystery are all to be found in ample supply in this series. On to Zion National Park for the fourth installment!

AVENGERS BY JONATHAN HICKMAN: THE COMPLETE COLLECTION VOL. 1-5

I've written before about my love-hate relationship with Jonathan Hickman. He is a very smart writer, he knows it, and he wants you to know it too. As such, his specialty is crafting complex story arcs that leave you bewildered at times, only for—theoretically—it all to make sense in the end. Sometimes that formula works nearly to perfection, like his run on Fantastic Four or his X-Men relaunch, House of X and Powers of X. Other times, his style feels more like an exercise in intellectual vanity. Unfortunately, his multiyear run on two Avengers titles feels like the latter.

The overarching story of both titles is that the multiverse is collapsing, leading Tony Stark to come up with two solutions. The first, public solution is to expand the Avengers, building a roster that will be able to not just defeat supervillains, but ultimately prevent Armageddon. The second, secret solution is for him and his fellow members of the Illuminati—a cabal of Marvel's most brilliant and powerful minds—to prevent "incursions" of other worlds into ours by any means necessary, up to and including destroying those other worlds. The eventual failure of both plans leads, ultimately, to Secret Wars, the Hickman-led reboot of the Marvel Universe.

Smack dab in the middle of all of this is "Infinity," a summer event that sees the heroes of Earth team up with Marvel's various cosmic empires (the Kree, Skrulls, Shi'ar, etc.) to take on both a new extraterrestrial threat and the forces of Thanos. This event, though written by Hickman, reeks of an editorial mandate, stalling Hickman's momentum only to be practically forgotten once it comes to an end. A yet, by virtue of its relative simplicity, it was probably my favorite part of the run!

As with so many Hickman stories, the concepts are mind-blowing and there are some really cool moments. But there were also far too many times where I had no idea what I was reading, and where I wasn't certain it was all going to pay off in the end. To that second point, it sort of does, because Secret Wars is pretty great. But I'm not sure we needed 7 years of stories to end the world...especially if I was going to be confused for 4 of them. If you love Hickman—and make no mistake, he's very popular—you'll love this run. But if you don't, well, get ready for a very Hickman-y experience.